Document
This is a space for sharing insights into my process. It’s important to document development; publicly available content is a great way to maintain self-criticism
Intersections
This painting is a reaction to the events the world witnessed unfold in Minneapolis (Saint Paul) during January [2026] as Trump’s Brown Shirts, under the guise of an immigration operation, sowed fear and aggression throughout Minnesota, resulting in an “overwhelming” amount of wrongful arrests and the tragic loss of life.
I had the Stars & Stripes / Police tape concept quite early on but wasn’t sure how to handle the Stars. This changed when I researched Minnesota and discovered its state flower is the Pink-and-white Lady’s Slipper orchid. I found a timelapse of the flower unfolding its petals, which almost appeared to be screaming. This captured the defiant spirit of the locals protesting on their streets. Aligning the moment the flowerhead and petals opened – the scream – with the tape/flag being blown away hopefully conveys that being vocal and standing up for what you believe in will eventually overcome the obstacles before you.
Protest & Process
i wanted this project to be quicker than usual, using acrylic as the main medium. This included spray paint, roller markers and brushes, but also solvent transfer of magazine photos from a recent TIME article (both onto cardboard and canvas). This was also a master-study, a chance to revisit the work of Robert Rauschenberg. An American artist known for his activism and a lifelong influence on me.
It was also an exploration of projected colour - as I develop this hybrid traditional and digital approach, I’ve realised how I can manipulate the local colours on the canvas by shifting the projected hues. This allows me to reveal/remove painted elements or simply transform the overall mood of a piece. I’ve been thinking about how you can bypass the projection aspect and use transparent displays, resulting in better definition and colour.
Fish & Bird | Prelim
creating a new visual approach I needed something to base the content of my development piece on; in this situation, it's a good idea to pick an existing work of art, a non-visual piece - a poem, book or song - to provide the emotional content freeing you to focus solely on the visual / making aspects
I chose Fish & Bird by Tom Waits, out of a collection of songs spanning five decades I always felt this song would suit an assemblage-style animation (I started imagining this well over a decade ago)
Seeing as I consider this a sketch - a proof of concept - I didn't commit to retelling the entire song, this is why I truncated the track and why I haven't polished certain edits, loops and other details; I was more concerned with investigating the process, workflows, outcomes and mediums etc to be utilised in my future personal work
Audio is available…
Rachel’s
With its mix of imagined narrative and personal experiences, this primogenitor piece - flaws and all - marks the start of more personal work in tone and subject. It's also the beginning of exploring ways to combine traditional methods into the digital space
![TYSL [redesign version]](http://images.squarespace-cdn.com/content/v1/67729cf30154677f35cce72e/b633533f-67af-4607-9653-a993ed2b9316/TYSL_mark_revout.png?format=1500w)